As demonstrated by his ability to earn acclaim in everything from zombie films ("28 Days Later") to foreign coming-of-age love stories ("Slumdog Millionaire"),Danny Boyle has an extraordinary gift as a filmmaker and in "127 Hours," he channels it into an extraordinary story of human willpower. This could have easily been a compelling but plain and ordinary documentary on the Discovery Channel or National Geographic about a man pinned under a boulder who miraculously survives. Boyle, however, transforms it into a powerful statement about the will to live and where that motivation truly comes from.

"127 Hours" does not simply prove the point that humans will do whatever it takes to survive in dire circumstances. In fact, I might argue 9 of 10 people wouldn't do what Aron Ralston (James Franco) does in this film. Anyway, Boyle makes it his mission to use Ralston's incredible true story -- one that told at face value would probably just elicit gasps -- to alter our perspective on living.

What's obvious is that none of the impact of "127 Hours" is possible without Franco. A film about a man trapped in a crevice for more than five days needs a heck of a lead actor and Franco, despite few dramatic credits to this point, proves beyond capable. Although boredom might set in for some during this film given its plot, the believability of Franco's performance remains constant and irrefutable. He possesses the fun-loving and care-free charisma of Ralston then slowly breaks that shell and shows his human fragility.

Yet remarkably, Boyle leaves a substantial thumbprint on the film, much of which he shares with co-writer Simon Beaufoy, also of "Slumdog." Because the story is so straightforward, Boyle recognizes imagery and perception provide his only means of creativity. He shows us inside the tube of Ralston's water backpack, water bottle and other close-ups, all of which seem unnecessary, but they establish images which we will come to think about with a different perspective as the film wears on, such as when Aron drinks his own settled urine out of the water pouch. Boyle uses the same process shot, but suddenly we don't see it the way we did earlier and they become more meaningful than tedious.

This subtly effective technique can also be found in the beginning and ending shots of the film. It seems completely random that Boyle would open with crowded streets of people as if he's tricked us and really made "Slumdog 2," but the image gains significance after experiencing Ralston's journey.

"127 Hours" will not be kind to people who don't take lightly to seeing blood outside of the "shoot 'em up" genre. Many of these people will leave the film thinking all they got was shock value, but of course there's much more to it. Despite the "how will he survive?" plot, a substantial amount of time is placed on flashes to memories Aron thinks of regarding his family, fantasies and of course, regrets. Boyle beautifully shows us that although survival seems an inherently selfish thing, much of that motivation and will to live comes from other people, even total strangers. Aron thinks a lot of the girls (Kata Mara and Amber Tamblyn) he hiked with just hours before the accident though otherwise he'd have likely forgotten them.

The build-up and catharsis of Aron's story might not be the most powerful and uplifting based-on-true-story you've witnessed, but "127 Hours" clearly surpasses expectation in terms of the message it sends and the impact it leaves. With it, Boyle solidifies his place as one of those filmmakers you must always have an eye on and Franco emerges as a relatable everyman with above-everyman-grade talent.

~Steven C

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Each of the last several years, I have tried to watch all the Oscar nominees for Best Picture. Of last years' crop, "127 Hours" was the last I watched—and I dreaded it. After all, a real-life story about a guy who falls down a canyon and needed to saw off his own hand to survive is NOT the sort of movie I would rush out to see! Heck, "Winter's Bone" was practically a comedy compared to "127 Hours"! Yes, it was unpleasant, as it includes scenes involving the main character drinking urine, cutting off his hand (it wasn't THAT graphic) and all the blood make for a tough to watch film.

The film was co-written and directed by Danny Boyle—the guy who brought the world the Best Picture winner "Slumdog Millionaire". While I wasn't that thrilled with the screenplay (after all, the story is extremely simple and the film seems heavily padded to make it full length),I was impressed by a lot of the inventive camera-work and direction. But the story, overuse of indie-style music (which is great if you are a hipster—I certainly am NOT) and the gore makes it a hard sell for me and probably most out there. This film is definitely a niche film that is not for everyone.

By the way, this story is to have taken place over a period lasting more than four days. Then why is it the guy ALWAYS seems to have his camcorder on?! What brand is this that has a 127 hour-plus capacity?! I'd sure like to buy that one!

I have enjoyed Danny Boyle's work, though I found myself let down by Sunshine, so naturally I was all for seeing 127 Hours. I thought it was excellent and very interestingly done. I think the movie could have been a tad longer, but that in mind, 127 Hours is a superb-looking movie, definitely one of the best-looking and impressive movies of 2010 in my eyes. I just loved the wonderful cinematography and landscapes and also the kinetic editing and visual effects. The story is compelling and well paced, beautifully put together by well staged and thoughtfully thought out flashbacks and hallucinations. The music is fitting and dynamic, the conclusion is harrowing and I think heart-wrenching and a lot of effort is taken into making the audience empathise with Ralston. Other than the technical aspects, what really stood out about 127 Hours was Boyle's superb direction, it is wonderfully tight throughout, and the mesmerising tour-de-force that is James Franco's lead performance. All in all, excellent. 8/10 Bethany Cox