Dana Heinz Perry's 'Boy Interrupted' is a moving and engrossing documentary about the mental illness that took the life of her 15-year-old son, Evan. Suffering from bi-polar disorder, Evan Scott Perry committed suicide in Oct., 2005 while in the depths of a black depression. Bi-polar disorder runs in the family. Evan's uncle, Scott, who suffered from the same mental illness, took his own life in 1971 at the age of 22. Well made, compassionate, insightful, and unbearably sad, 'Boy Interrupted' is an important film. Yet, yet... There's a troubling subtext here that is largely taken for granted by the Perry family. Simply put, the Perrys are rich folks, very rich folks. They have an apartment on Manhattan's Upper West Side, a house in the country, etc., etc., and are able to afford the best schools and--once Evan exhibits signs of madness--the very best psychiatric care and facilities that money can buy. When Scott died the family commissioned a renowned sculptor to create a special monument and Scott's brother, Hart Perry (Dana's husband and Evan's father) made a commemorative film at that time. When Evan died, the Perrys commemorated him with 'Boy Interrupted' and helped to fund a new building at one of the facilities that had treated him. These are warm, human gestures which assure that Scott and Evan will not simply vanish from the earth without a trace. But what if the afflicted Scott and Evan Perry had come from impoverished circumstances? No top shelf care. No fancy monuments. No documentary films. No kid glove treatment. Just unadulterated suffering, death, and subsequent, eternal anonymity. That's what happens to the thousands of Scotts and Evans who don't come from money. Think about that reality also.

Rather extraordinary, unexpectedly rich documentary of Evan Perry, a peculiar, bipolar young boy from a prosperous New York home who harbored a fascination with death at an early age, eventually committing suicide in 2005 at age 15 by jumping from a window in his apartment building. As directed by his mother Dana Perry, with photography by father Hart Perry, this film would seem to be an unrelieved downer from the outset (beginning with home movies from "a happier time", leading into interviews from understandably shaken relatives). But, as the material is vividly laid out, we learn a great deal more about this strange kid other than his preoccupation with dying (we pretty much watch him grow up through photographs and video footage, starting with Evan post-birth in the hospital room). The child's family and teachers--and one amusingly looped, exasperated psychiatrist straight out of a Paul Mazursky comedy--recount their dealings with Evan in succinct fashion, and there's even a surprising highlight: a grade school play about death, written by Evan, which features better acting by the students than what we get in most television shows. A deeply-felt journey, moving and thoughtful, and yet with a tough core. *** from ****

Not an easy movie to watch ,but you really get the picture what its like about these things. Poor dude.