I saw this film at the Santa Barbara Film Festival where it won the Audience Award for Best Documentary. We were the first audience to see the finished film on 35 mm in a theatre and the excitement was palpable. The fimmaker, Rick McKay, introduced the film and brought Eva Marie Saint (who won the Oscar for "on the Waterfront" with Brando) on stage with him afterwards for a question and answer session. I don't know when I have had a more exciting night in a movie theater. The film was brilliant and the filmmaker was wonderful in the film as he took us on a journey, but just as passionate and funny in person as he and Miss Saint warmly answered questions afterwards.

The film is something very, very special. I don't honestly think a studio could have ever made this film - or a network either. It is such a personal, passionate and magical film. It is a mixture of more stars than I have *ever* seen in a movie - all telling their own personal stories of starving and starting out in New York - and old archival footage of perfomrances that have never been seen before. Not movie clips - but real, live perforances. It was staggering. It is about a time that is so cmpletely gone, but oddly enough, it was not sad, but very inspiring. It made me believe that if this kind of history could have been made in this century, and if this kind of movie can be made today, then anything is possible. what a wonderful feeling...

The night I saw it there were people sitting on the floor in the aisles and standing room only in the back of the theater with people looking over each others shoulders. And nobody complained and nobody left. People did cry and they did laugh and they did applaud over and over during the movie though. When was the last time (if ever) that you saw that happen?

We may have been the first audience to see this movie but we won't be the last. This movie is going to win an Oscar. Mark my words.

Rick McKay is an invaluable source when it comes to what theater is all about. His other documentary, Elaine Stritch at Liberty, was excellent. In this new work, instead of concentrating on a single performer, he explores the best years of Broadway and the commercial theater during the era when it was at its peak.

The strength of the film is the intimacy one feels whenever the stars, being interviewed, speak directly to the camera, and thus to us. It's just as if these performers are telling us their secrets. There is an immediacy that no other documentary on the subject ever projected before.

In a way it is a world that is no longer here. The fact is that not only it's almost prohibitive to go to the Broadway theater, but it's also about the quality of what's being shown these days. When ticket prices for musicals go over $100.00, producers can only bring to the stage only those shows that might prove to be money makers. Then, of course, there is no guarantee for commercial success.

Sadly, most so called stars working in musicals these days have no voices to fill a theater. Since everything is amplified, it's as though one is listening to the cast album of the show, not to a live performance. These days producers will import a Hollywood star to do a musical for the name and possible revenue that will be generated, rather than for artistic merit.

It was delightful to hear actors talking about their peers. How a Laurette Taylor, a Marlon Brando, a Kim Stanley, were admired for their talent as well as for the integrity they brought to each performance. Since theater happens whenever actors are on a stage, most of the last century's historical performances can't be appreciated because they weren't done in front of a camera.

This film is a must see for theater enthusiasts.

Fascinating documentary with the actors and actresses of Broadway's "Golden Age" (late 1940s-late 1960s) talking about their experiences on stage, who influenced them, how they got into the business etc etc. What's truly incredible is when they compare and contrast how Broadway was back then and how it is now. They were a close-knit family back then; they didn't need mikes to project their voices throughout the theatre; the incredibly low ticket prices back then as compared to now...The picture isn't perfect...it's not done chronologically and there's no historical or sociological perspective. Still there's rare live footage of some of the Broadway shows and all the stories are just incredible. It makes one feel sad to realize we'll never see a world like that again. Everybody is good but Elaine Stritch is an absolute howl! A must see for all Broadway fans. A 10 all the way.