This is the final Martin & Lewis film before their breakup. It begins with gambler Dean getting in trouble for gambling debts and the mob sends a tough guy (Maxie Rosenbloom) to beat him up unless he pays. However, instead of paying him off, Dean convinces Maxie to wait, as he's got a scheme to steal a brand-new convertible--thus paying off his debt and then some. It seems that these is a car giveaway at the local movie theater and Dean had the same printer make an extra set of tickets--then he can claim the prize. He figures that whenever there's a raffle, the winning ticket isn't usually the first or second one drawn, as many ticket holders don't bother to come to the theater. But, unfortunately, his plan falls apart when the winning ticket holder IS there (Jerry) and the two men both try to claim the prize. Instead of giving them two cars, the theater owner says they should share the car--and Dean plans on just stealing it the first chance he gets. So, Dean convinces movie-crazy Jerry to go with him to Hollywood so he can introduce him to Anita Ekberg (not a bad plan, as MOST heterosexual men in 1956 would quickly fall for this angle!). Naturally, however, the plan does NOT go smoothly and there are comic situations galore--thanks in many cases to Mr. Bascom (see the movie to find out more about him) and better than normal writing.

This is the only Martin & Lewis film I hadn't seen up to today and I always expected it to be terrible. After all, the team soon broke up and reportedly the two couldn't stand each other and barely spoke during production. But you really couldn't see this in the finished product--a clever movie with some nice gags. It also has a nice, leisurely pace that works well--surprisingly well. Considering the end product is so good and the film relies less than normal on Jerry's over-the-top histrionics than many of their films, it's a shame they went their separate ways. In a few cases, however, Jerry's shtick went on way, way too long was the over-acted bullfight scene and his expressions during the craps game. Still, a nice blend of comedy, music and romance--I wish I'd seen this one sooner. Certainly not great but quite enjoyable.

In Las Vegas, be sure to keep a close eye on the marquees they pass on their way through town.

Though according to the Nick Tosches biography of Dean Martin, both Martin and Lewis were barely speaking to each other off camera, the two of them did go out on a good note in Hollywood Or Bust.

In fact the antagonism between them probably helped in a way. The plot calls for Martin to be a gambler into a bookie big time. But he's got a scheme whereby he cheats a lottery and wins a new car. The problem is that Lewis, playing his usual schnook, also has a winning ticket, the real one. Car dealer Willard Waterman gives joint ownership of the car to them.

Martin takes the offer thinking he can dump Lewis and still sell the car to cover his losses. But Lewis wants the car to meet his dream girl Anita Ekberg playing herself.

Two other passengers come along on this New York to Hollywood trip, aspiring showgirl Pat Crowley and Lewis's great Dane, Mr. Bascomb. The gags involving the dog were taken straight from the WC Fields classic, Six of a Kind. That's certainly in keeping with the Paramount tradition of having Martin and Lewis remake some of their classics. The great Dane foiled Dino's schemes and caused quite the ruckus.

A very hot song writing team of the period, Sammy Fain and Paul Francis Webster, wrote the score for Hollywood Or Bust. They won two Oscars in the Fifties for Secret Love and Love Is A Many Splendored Thing. One of Dino's best ballads comes from this score, It Looks Like Love. His Capitol Record is a classic.

Because of the antagonism the two were feeling in real life, the scenes were sharp between Dean and Jerry. Lewis in fact told one and all this would be the team's last joint effort.

And in Hollywood, they did indeed bust, but they busted with style.

Malcolm Smith (Jerry Lewis) wins a car in a lottery but degenerate gambler Steve Wiley (Dean Martin) scams the contest with a counterfeit ticket. Malcolm is a dedicated fan of famed actress Anita Ekberg driving across the country to Hollywood. Steve pretends to be her neighbor and joins him on the drive. Steve fails to steal the car and they lose it to an armed old lady. They get the car back and pick up aspiring dancer Terry Roberts on her way to Vegas.

This is the final movie for this legendary pairing. Things got so bad that the guys barely conversed off screen. They are still very professional in their performances. I'm sure their split affected the critical reception at the time. This has the broad comedy and song singing that one expects from this duo. It is not that offensive except for the native stopover and various old fashion stuff. Much of it is a picturesque travelogue. It is not the deepest of movies but one wouldn't expect one here.