There's not so much wrong with the premise, which could have made for a reasonably entertaining thriller. But as to realism and logic, there's really a whole lot amiss!

Why should a couple want to live in a newly built house in the middle of a totally barren and isolated nowhere, apparently at first without even the remotest safety-precautions? Why this complicated healed-from-cancer background, that doesn't add anything to the story? How come this highly intelligent wife (a psychologist no less) doesn't have any idea of their financial situation or the way they financed this house? And then letting her drive alone to a trailer-park that apparently is notorious for its criminality, and there break into a home and steal mail out-of a mailbox, committing one felony after another?! Or letting her impulsively follow a hunch (one that I personally failed to grasp, but that's probably my simple brain),and go look for hidden rooms in the middle of a housewarming party and right under the nose of the one person that she suspects?! (I mean, why not wait till the next day when he's gone out?). I could go on like this, it's one stupid decision after another!

After the final showdown we get a totally superfluous epilogue scene, making the movie go out with a puff. Well, it suits the whole project.

I did not realize this was a Netflix production, although God knows some of their movies have been dreadful. I actually thought it was one of those independent films that went straight to video.

Intrusion had the look - I wish I could describe it - kind of antiseptic, where you suspect the house on the hill was placed there by a computer.

A married couple, Meera and Henry Parsons (Frieda Pinto. Logan Marshall-Green, have moved from Boston to a small community I think in New Mexico, where they have built a large, beautiful home. It is in the middle of absolutely nowhere - we're talking desert. They have no alarm system. They have a generator outside that anyone can get to.

After a break-in while the couple is out, the cops are called. The burglars didn't take much. Henry then gets an alarm and tracking devices for their phones. The next time the burglars enter the house, it's in the middle of the night when Henry and Meera are home asleep. Meera then finds out that Henry is hiding a gun in a plant, and he shoots all three people. Two die right away, one later.

The police are concerned because the criminals have the last name of Cobb, and their sister has been missing for some time. They think the brothers are somehow involved.

Meera starts snooping around, using the GPS in her husband's car, which leads her surprisingly to the Cobb's residence. There she breaks into their house and looks at their mail before she's caught and escorted out. It really takes some nerve to wander into someone's home, open their mailbox, and look around like you have all the time in the world.

I won't go into the rest of the movie - it was a joke.

I have seen maybe 6,000 movies in my life - maybe more. I've never seen anything as stupid as this. Maybe I have, but I blocked it out.

Awful acting, awful dialogue, slow-moving. Flat atmosphere, awkward pauses. A mess.

I was told that screenwriters, producers, etc., can't get an appointment to see anyone at Netflix even if they have a relative in an executive office. I also read it took ten years to get Queen's Gambit on the air.

It's obvious Netflix has a need for product. It's a popular streaming service and they are behind many great shows. It would seem to me Netflix would seek out originality and excellence, whether it came from someone who knew the secret handshake or not.

This film is an appalling insult.

Henry Parsons (Logan Marshall-Green) is a successful architect and has build a large remote home for him and his wife Meera (Freida Pinto) a breast cancer survivor who doesn't where a pink ribbon. After they experience several break-ins, Meera begins to snoop around.

I didn't like how the story went. Characters were weak and boring.

Guide: No swearing, sex, or nudity.