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Marat/Sade

1967

Action / Drama / History / Music

5
Rotten Tomatoes Critics - Certified Fresh93%
Rotten Tomatoes Audience - Upright79%
IMDb Rating7.5102524

Plot summary


Uploaded by: FREEMAN

Director

Top cast

John Steiner Photo
John Steiner as Monsieur Dupere
Glenda Jackson Photo
Glenda Jackson as Charlotte Corday
William Morgan Sheppard Photo
William Morgan Sheppard as A Mad Animal
Patrick Magee Photo
Patrick Magee as Marquis de Sade
720p.BLU 1080p.BLU
1.07 GB
1280*700
English 2.0
NR
23.976 fps
1 hr 59 min
P/S 0 / 2
1.99 GB
1904*1040
English 2.0
NR
23.976 fps
1 hr 59 min
P/S ...

Movie Reviews

Reviewed by middleburg10 / 10

Amazing Acting/Spectacular Film

When Marat/Sade was first shown--those of us used to the traditional Hollywood film entertainments were just stunned. What a tour de force of acting, story, makeup, style, filming and music. We didn't know what to make of it. On the one hand it was the scariest, most disturbing film we had seen, on the other

hand it was a grand entertainment with absolutely intriguing characters. Was it historically accurate? Is it a dream? Was that really supposed to be the

Marquis de Sade up on the screen? The film has amazing bookends: The

opening film credits appearing in complete silence one word at a time and then disappearing one word at a time, has to be sort of a classic of film titles-- anticipating the minimalist art movements in the visual arts. Before the film even begins, we are off kilter, completely disoriented. The horrifying ending at the time was a shocker. One is really unprepared for this spectacular brutality--and the fact that it just ends in the midst of the chaos with zero resolution again is totally disorienting. This remains a great film--with some of the most amazing acting ever caught on screen. For most of us here in the U.S., it was the first time we saw Glenda Jackson. Her voice, her presence, her amazing acting

technique--she became instantaneously recognized as one of the great screen

actresses. And sure enough shortly thereafter, she won her two academy

awards. If you enjoy great theatre, and great film treatments of theatrical

material--this film is simply not to be missed.

Reviewed by Scarecrow-8810 / 10

Marat/Sade

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum at Charenton Under the Direction of the Marquis de Sade.

The title pretty much sums up this powerfully visualized "play", set in 1808, during France's supposed success rate at educating the insane. This play by de Sade which is a scathing dissection of the French Revolution using Marat as the voice for the war as the Marquis takes the role against it. Morality obviously being this is a play from Marquis de Sade is also under the microscope as those that are insane fulfill certain roles under the celebrated masochist's direction. Monsieur Coulmier(Clifford Rose)is the mediator watching de Sade's behavior regarding what his script can and can not say. Blasphemy in this supposed golden age of France can not be warranted so Coulmier, with the assistance of nuns and guards inside, try to keep the deranged--and de Sade--in check.

The play itself is told through not only the characters written on page, but from the insane themselves who often intervene on their own behalf. The ending is a fine slap in the face of the so-called success the French asylums seemed to have employed as the maniacs, after finishing, attack all the normal folk inside(two aristocratic women are audience members inside the cell--what were they thinking?)as Marquis relishes the chaos with glee.

The staged film is disturbing, bleak, but profound and spellbinding. The way the camera moves throughout the cell(and several shots through the bars and on the darkened audience outside the cell)is hypnotic and deeply luridly fascinating. The cast is so good, they really convinced me I was watching a directed play using loonies!

Reviewed by Hitchcoc10 / 10

Marat, We're Poor, and the Poor Stay Poor

Some really intellectual reviewers have captured this film, so I don't have a lot to say. I worked on this play in college and found it mesmerizing. There is a weighty drag on the human spirit because the characters are actually mental patients in the time of the Marquis de Sade. They probably weren't necessarily crazy, which adds a considerable type of angst to the performances. I think the music is astounding and poignant. At some point we begin to realize that the harsh society (or even our society) is really the star here. This is possibly voyeurism at its worst.

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