The title of Martin Lawrence's concert should have been: I'd like to Thank Jesus! Starring Martin Lawrence Call me crazy, but a stand up comedy concert should be funny. Don't get me wrong, Martin told some jokes, but not after he gave a monologue of why Jesus is God, you can be forgiven, crime is bad, drugs is bad, race is equal. Sure, be like Richard Pryor and throw a moral out to the audience may once or twice during the show, but every five minutes? You So Crazy was a heart attack of laugh out loud funny 90 minutes. This piece of garbage was something Martin did for a pay check and something he can leave behind to his grandchildren to make him look like a super guy. Enough said...

Martin Lawrence could be considered a talented man, but those days are long gone. Runteldat shows a man who at once tries to play the sympathy card to his plight yet takes responsibility for it whenever he thinks it'll benefit his ego. The sad truth is that at this point in his life, his best days were behind him: his half-funny show was dead in the water after his co-star left and to today he faces a career of voice acting and god awful action films.

One gets the impression that this concert film wasn't made to give Lawrence's career another boost after his humiliation but rather a childish attempt to clear the air by both trying to pathetically salvage what remained of his life and somehow twist it into something to be proud of, some defining moment in which he showed himself to have 'earned' his fame. Sadly, the concert is nothing but a gravelly-voiced Martin incoherently trying to be funny, invoke pathos, and then claim he doesn't care about it at all because hardcore. The sad truth is that this is the real public embarrassment for Lawrence: the way he rambles on invoking sad pity laughter makes you wish that he would just strip down to his underwear on stage, wave a gun around, and just reenact it all over again. There is no real insight to his performance at all. Much like the childish title states, Martin is trying to make his ultimate moment of truth his own in his way and fails miserably. He would have been better off waiting for the E! True Hollywood Story instead of running on a stage and making an idiot out of himself for the second time.

Perhaps the saddest thing about this concert film--or rather, career eulogy--is that Martin didn't put any thought into this. What was this film supposed to prove? Sadly, that his fame was fleeting, he was a flash in the pan before the underwear incident, and now that the only way he can get work is piggybacking Will Smith or a Pixar production. They might as well called this concert 'Tombstone' because that's what it is. Martin Lawrence just dies on stage here, and with it goes what could have been an interesting career. Now? Just a pathetic side note in history.

Martin Lawrence explains in the first few minutes of his comedy special dubbed Runteldat that he isn't waiting for E! True Hollywood to tell his s***, but is going to tell it in his own words and his own personal experiences. I normally say that some concert and stand-up films that go to theaters aren't really that special enough to go theatrical - but I think Martin Lawrence Live: Runteldat posses a strong enough reason for such an honor.

"Runteldat" is a slang term for "run and tell that." While it's not spoken throughout the whole film, it has a certain meaning to it which makes it worthy of the title choice. Lawrence is basically telling the audience members "now that you know the true story, run and tell that!" The special was shot at Constitution Hall in Washington D.C., and was directed by David Raynr. Raynr directed the seldom-seen Whatever it Takes which was truly a mixed bag of comedy and drama elements. Runteldat is also number eight on the list of films that uses the f word most frequently, clocking in at three-hundred and eleven uses. I, for one, am not offended by vulgarity if it is taken in a new and non-gratuitous manner. It may seem like nothing but unnecessary language, but once you get past it, the film becomes a pleasure and the vulgarity adds to the fun of the whole picture. After a while, you adapt and it becomes an unobtrusive quality.

Martin talks about every from sex, to drugs, to crime, to cops, to 9/11, the news, the media, and even the Cha Cha Slide and why he "can't stand that f****** dance!" The first seven minutes are devoted to a montage on Martin lashing out at the media. The message is unclear because I can't really see what they did wrong. They were reporting on him because he was arrested. Why is he getting mad? I don't know. The whole attack seems tiresome and drawn out, but once Martin gets a hold of the mic - anything goes.

When talking about critics, he says that can "criticize deeeez nuts!" When talking about the Cha Cha Slide he says "STOP! Think about it." One of my favorite sketches is when he talks about the way blacks and whites react to getting pulled over. I'm white, and while I think I was supposed to be offended or insulted, I couldn't contain my laughter. When a film makes you think offensive material against yourself is hilarious - I can't help but give it the highest compliment I've given a comedy special.

I'm not easily offended because I feel that Martin isn't being racist as much as he is proving a point about how distant blacks and whites can be sometimes. If I found out he was being honest? I'd probably still laugh seeing as he has the gall to admit something like that. It's a win-win for him.

Another skit that was fabulous was when he discusses the differences between black and white parenting. He uses an example when a kid insults his mother, the mother sends him to timeout for "emotional issues." He claims if you said that to a black mother, your timeout would be picking up your teeth, your molars, and getting your foot out of some place.

Martin Lawrence Live: Runteldat is a comedy special of epic vulgar proportions. I can't sum it up to a solid degree. This isn't the raunchiest or best that I've seen, but since Lawrence has done a number of kid films it's nice to see him step up to the mic revealing his dirty side. I couldn't help but applaud at the end. The ambition and courage it took to get on the mic and say what he just said deserves some kind of award.

Performed by: Martin Lawrence. Directed by: David Raynr.