Most actors and performers excel in one field, with maybe a second very good talent. Bing Crosby could croon, and add a little tap or soft shoe. Fred Astaire and Gene Kelly could hoof up a storm, and often add a tune or melody. Frank Sinatra and others could sing, or play dramatic roles in films. Bob Hope and many other comics could toss in a little shuffle and/or tune with their comedy.

But, once in awhile, a multi-talent comes along - like Danny Kaye. He could sing and dance, cavort and crack tongue-twisters, play it straight, and just put life and zest into a film. Movie goers since the mid-20th century have seen Kaye perform some or many of his talents in various movies. He displays them all here, in "On the Riviera." The plot in this film wasn't new or intriguing for then or now, but it was just the right venue to allow Kaye to show us his many talents.

Kaye's performance in a double role (impersonation) is far and away above that by actors in any other film (see Maurice Chevalier in "Folies Bergere de Paris," Yves Montand in "Let's Make Love," and Don Ameche in "That Night in Rio"). His comedic exchanges in this film are crisp as ever, and he shines in all his song and dance numbers, four of which were written and composed by his wife, Sylvia Fine, for this show. One particularly creative routine, "Popo the Puppet," lets Kaye show his exceptional physical versatility and talent as a dancer.

This isn't the best of Kaye's outright solo lead comedies. That honor belongs to "Knock on Wood" of 1954. In that, he had three major scenarios of tongue-twisters, long stretches of running funny dialog, and a number of superb disguises and impersonations that are hilarious. But "On the Riviera" is guaranteed to please anyone who has a funny bone to tickle.

One of the great attributes of the talented Danny Kaye was his ability to bring out the best in his co-stars and fellow performers. That shows as well in the performances of all the fine cast in this film. What a great performer and entertainer this man was - and global humanitarian as well. What great fun and enjoyment for those of us who love all these aspects of entertainment.

I didn't always recognize the greatness of Kaye's talent. In my younger years, I liked the more manly figures or accomplished voices in films. But as I watch films not seen for decades, and as I look for the best of the music and musicals for my family film library, I see Kaye as the much bigger all around talent - and top entertainer - that he was.

If you like great entertainment with song, dance, comedy and romance, you'll love "On the Riviera."

I'm afraid I couldn't get with the program here. Danny Kaye is responsible for some of the funnier movies ever made, but this plot is a weak comedy of manners. It has Kaye as Jack Martin, a nightclub impersonator, being called on to pretend he's a celebrated, aristocratic French aviator. There is a mix up with the aviator's wife, Gene Tierney, and Kay's girl friend, Corinne Calvet, gets jealous.

It's in glorious Technicolor but it's all been done elsewhere, often better, as in "The Prisoner of Zenda." Sometimes worse, as in "The Front." There's little in the way of physical comedy. Kaye doesn't take any pratfalls. He rarely seems as rattled as he does in his usual screen persona -- more embarrassed than neurotic and cowardly. He doesn't sing a gibberish song. The location needn't have been the French Riviera. Kaye's part could easily have been given to anyone else.

It's as much a musical as it is a comedy. Kaye plays a showman and does his musical numbers straight. None are memorable ("Ballin' the Jack") and Kaye wears a tuxedo. Kaye is energetic enough, on stage and off stage, and his voice is pleasant, but that's about it. One of his songs' best features is that it used (unless I'm mistaken) Gwen Verdon for one of the lead dancers. She should have had more screen time.

If this was an attempt to broaden the style of Kaye's performances, it really doesn't work. As a comedian, with a good script, he's superb. As a singer and dancer, he's mediocre.

On the Riviera is the third film made from a stage play called The Red Cat, the other two being L'homme des Folies Bergère (1935) with Maurice Chevalier and That Night in Rio (1941) with Don Ameche. The plot is an example of a genre that goes right back to Plautus and Shakespeare: the comedy and confusion that result when two people who happen to look identical keep getting mistaken for each other. In this case, the two people (both played by Danny Kaye) are a famous French transatlantic aviator and an American entertainer playing a club on the French Riviera. This seems like a very obscure film: it's not found in any of the half-dozen standard film guides I happen to have, though it's in IMDb.

The film, directed by Hollywood workmanlike director Walter Lang (who made a number of other 50s musicals, like this one now mostly forgotten,) is a semi-musical; that is, there are plenty of song and dance numbers, but they are all stage performances. The most interesting aspect of the film is its display of Kaye's multiple talents as a singer, dancer, comic and impressionist -- he's the sort of performer popular in the thirties through early sixties, but now seems an almost extinct species.

The film is an interesting period piece for its sumptuous female fashions and as an early example of what would become mainstream American Hollywood musical entertainment, and if you are interested in those topics, or in Kaye, this will be worth watching. Others may find it only moderately entertaining. There is some impressive landscape photography of the Riviera, though Hitchcock did this better in To Catch a Thief.

The 20th Century Fox Home Entertainment Blu-Ray DVD is of good audio and video quality.