While I noticed that there were quite a few very positive reviews for this one, mine will certainly not be among them. Some described this as being among director Jesús Franco's best films, though I just don't see it. To me, the film was poorly made, had a plot they 'borrowed' from "The Bride Wore Black" and was just an excuse to show a lot of flesh. The plot, for the most part, seemed relatively unimportant and several times throughout the movie I saw mistakes that should have been eliminated had anyone really cared about producing a quality film.

The film begins with some insane (or at least completely amoral) doctor doing experiments on viable embryos. While he assumes folks will hail him as a great man and humanitarian, not surprisingly he's attacked by the medical community and his license is revoked. He becomes depressed and ultimately kills himself. His wife, a bit of a nut-job herself, blames four people for his death and goes about killing them. Inexplicably, all these murders involve her taking off her clothes and showing off her pubic regions.

My biggest problem isn't the gratuitous nudity but the way the film was made. Too much emphasis was made on the nudity and too little on constructing a more believable story or interesting murders. There just wasn't a lot of intelligence in constructing the plot--and little style. Plus, the killer wife drug her dead husband's corpse around with her--but he clearly was sweating. And, in one scene, a shroud is pulled away from a dead blonde--and you can see her moving!! She is supposed to be dead and dead people aren't supposed to move! How can this be a great film or among Franco's best?! It was sloppy and these scenes should have been re-shot. Overall, a sloppy film and one that should have been much better.

"Sie tötete in Ekstase" or "She Killed In Ecstasy" is a pretty short West German / Spanish horror movie about a woman who goes insane after her husband commits suicide. The husband was a renowned doctor, but one of his studies was performed in a way that other important doctors could not accept and that is why they publicly humiliated him and forbid him to keep working in his profession. As a consequence, the man commits suicide and his wife takes revenge on the people who caused this to her husband. The director is the famous Jesús Franco and the lead actress is played by his muse Soledad Miranda. Miranda was already dead when this was released here and there is certainly some irony to the last scene of the movie and her tragic death. The most known 8at least to me) actor in here is Horst Tappert, who plays a police detective who does apparently not have 1% of Derrick's wit and intelligence.

You can watch this film for a couple reasons. Taking it seriously in terms of story, however, is not one of them. It was obvious who the killer was after the first murder and yet nobody came to stop her. Instead the police still wonders almost at the end of the film who did this. Pretty ridiculous. The murder scenes are also not too scare actually, more like funny how weird they are and there are several more scenes for which this applies. The best reason to watch this is either because of Miranda's stunning beauty (some nudity in here too) or simply as a guilty pleasure. Yes sexuality certainly was different in the 1970s and I am not only talking about the protagonist's bush down there. At one point, the film almost sounded like an installment of the popular "Schulmädchen" franchise. Solid watch all in all, but by today's standards really more funny than scary. I recommend it. Maybe my favorite from Franco.

If ever there was a film director who epitomized the term Eurotrash it surely is Jesus Franco. His films are a curious mix of art and trash. Some of them are terrible but some of them are great. She Killed in Ecstasy is undoubtedly one of the latter. I can think of very few film-makers who treat plot-dynamics with such extreme indifference as Franco, so, really there is no point whatsoever detailing the storyline. All you need to know is that it is unashamedly unrealistic and absurd with plot-holes so enormous that it is entirely pointless taking them even slightly seriously. Like Franco's other best films such as Eugenie, Vampyros Lesbos or A Virgin Among the Living Dead, this film relies on a combination of eroticism, mild horror, surreal imagery, some visual flair, astonishing music and an iconic female lead. Similar to those other films, this movie is, to put it mildly, not for everyone.

Like the majority of his films, this movie has been produced on a minuscule budget, and it shows. But while Franco cannot escape from the cheap and rushed approach, impinged upon him by budgetary constrains, it is the things that the film gets right that are so remarkable. First off, that soundtrack. Wow. Very similar to the score for Vampyros Lesbos, the music here is extraordinary. Composed and performed by Manfred Hübler and Sigi Schwab, it's a highly infectious upbeat lounge classic that defies description. I don't know if Franco spent a disproportionately large slice of his budgets on his music scores but if he did then the gamble paid off, as the soundtracks to his best early 70's movies are pure gold and have helped make these little movies timeless. A very similar thing could be said about She Killed in Ecstasy's other trump card – Soledad Miranda. Honestly, I cannot think of anyone else like her. On paper she wasn't given a great deal to do in her Franco collaborations but I have rarely seen an actress with as much screen presence; she's frankly mesmerising. Despite the artificiality of these films, Soledad is never less than convincing. And in this film she is possibly at her absolute peak. She owns the picture. And Franco lovingly films her. Despite the abundant nudity and eroticism in her scenes it NEVER feels gratuitous with Soledad. Her presence is almost ethereal at times. I don't know if this has something to do with the real-life tragedy of her early death but, in any case, she is a treasure to be appreciated and her appearance in the handful of cult films she made with Franco is a testament to a screen presence that is equally beautiful, erotic, mysterious, vulnerable and confident. The other cast members are serviceable at best, although Howard Vernon is always kind of fun. But special mention must go to Horst Tappert as the police inspector, in all my years of watching films involving ineffectual policemen in pursuit of serial killers, I have never seen a more hopeless and hilariously unconcerned law enforcer. It looked suspiciously likely that he prepared for this particular investigation by smoking industrial quantities of marijuana.

Negative aspects of the movie? Well, despite the soundtrack, the presence of Soledad and the nice visual touches, She Killed in Ecstasy suffers from one of the most common faults to be found in Franco's output – the pacing. His films never exactly move along at a fast tempo and this one is no different. His filming style seems to favour editing together LONG single takes, rather than a series of shorter edits. This results in some scenes seeming to go on far too long and the film drags at times despite it's short running time. One unusual result of this is when these long, fairly uneventful scenes are combined with the completely contrasting upbeat soundtrack. It makes for a pretty disorientating effect, watching a slow scene to a soundtrack you just can't help tapping your feet along to. It certainly is unique and, along with the presence of Soledad, makes these slow sections not just bearable but, for the most part, hypnotically enjoyable.

This little cult item is definite proof that back in the day Jess Franco was making some films that offered something completely different in a good way. This is a classic of the sexploitation genre that I wholeheartedly recommend to fans of European cult cinema and the wonderful beauty that is Soledad Miranda.