This fun, "tongue in cheek", and crowd-pleaser film is a new departure from Williams's earlier cinematographic work in the horror genre (Harvest Lake, 2016). For this film, he goes back to reference retro 80s flick such as Weird Science, Killer Klowns from Outer Space, and even Porky's. It where nerds, dorks, deadbeats, etc. get the girls... well sort of speak! Other reviewers as described this film as "love story".

I felt that he could of rip off or referenced 90s films such as Full Moon productions and even Tromaville films. Its 80s references was kind of done for me besides I feel it works better for recent genre directors like Adam brooks (Father's Day, The Editor, etc.) and Paul Ragsdale (Cinco de Mayo). Also this film comes from the fan "crowd funding" circles -- so these are the films for the fans.

There was some good new talents like Brian Papandrea, schlocky special effects to boot and the 80s feel of its soundtrack was strong. It had some decent shots in the strip "titty bar" club scenes. These type of films must to be watched (with drinks) with a group of fans of retro 80s sex comedies.

Watching it alone may be not as entertaining... in time I am sure this may become a cult following at Horror-themed conventions.

I figured this movie would suck but it was actually pretty good. Charlie's family is extremely funny. The girls are a good reason to not make movies in hd (moles, scars, cellulite etc) and the almost good looking one doesn't show her boobs but you can't expect good looking girls to get involved in something like this. There is also a major plot hole (and few smaller ones) but they don't really hurt the movie. According to this site, the little boy who is being told the story is Young Charlie. According to the movie credits and common sense, it is not Charlie.

I don't know what the 10 star reviewers are smoking, but I want some. If you want an honest indicator of how good this film is: look at the trailer. The "Space Babes" spaceship is made of cardboard and the control console is literally covered in tin foil. Look, this film came out in 2017, not 1966. There is no reason whatsoever to make a film as poor as this. To even call it a "film" besmirches the more respectable, talented artists who work tirelessly to create cinematic masterpieces. Space Babes is so bad that it doesn't even deserve a Razzie. Last year's Razzie winner compared to this would be an Oscar contender. Truly one of the worst things I have ever seen in my life. It has no redeeming value whatsoever.

I implore you: don't waste your time. Watching paint dry is far more entertaining than this garbage.