Alexandra Essoe plays Sarah, whose demure nature masks a desperation to become a successful actress. She is surrounded by snide wastrel friends, and there are moments when her ambition suggests she is probably just as contemptuous of them as they appear to be of her. After another unsuccessful audition, she is caught throwing a violent tantrum by one of the casting directors, and her outburst sparks interest. When she eventually meets the producer, things take on a mysterious and very sinister turn.

In the pivotal role of Sarah, Essoe excels at every opportunity. The viewer is lead to feel every beat of the humiliation she suffers, either at the hands of her friends, or in the job she abhors. Her transformation throughout the film is believably handled throughout, which is just as well because what happens to her is … bizarre. The gore effects are very impressive, especially for a low-budget picture, although she does appear to barely be able to move in one scene, only to become a rabid killer in the next.

There are questions. In fact, the whole thing ends with a massive question – none of Sarah's victims seem to be discovered, there is no evidence of any police investigation. In fact, the whole story takes place in a kind of elevated isolation where no outside influences are present. And of course, who are the people behind it all, and just what does Sarah become? 'Starry Eyes' results in being a highly enjoyable, gruesome picture where the journey is a lot more entertaining than the destination.

What do you do when you come to the conclusion that the film you just started watching, probably will end up in your top 10 of the most vexing and lousy movies ever? Indeed, swiftly start another film in the hope that it will be a better one. The same happened to me tonight after watching "Muck" for 15 minutes. First there was the rather abrupt beginning where it was immediately clear what acting level I was dealing with (again some selected B-actors). And then the opening credits appeared which were more focused on the silicone attachments of a half-naked, rotating cheerleader who stumbles back and forth in what looked like a swamp. And especially when one of those bimbo's was wondering whether or not there was liquor in the house they saw in the distance. And she was wondering about that in such a way that it looked as if she was planning to start a party with her frolicsome friends, while one of them was bleeding to dead and apparently they left two others behind that were killed. For me that was the moment to grab the remote control and save myself from further suffering. Fortunately, because "Starry Eyes" is of a whole other level and the content is a lot more original. It's equivalent to "Spring", which I've seen recently. Not that the core of the story has never been used in a film before, but its impact and the way it evolves, made sure it was yet again a unique experience.

Sarah (Alex Essoe) is an actress who apparently can't manage to get a role in a film. Every day she consults a website where ads are placed by producers and movie houses that are looking for new acting talent. Mostly these are low-budget and arty film projects. Meanwhile, she works as a "Tater Girl" at Big Taters, a kind of McDonalds run by a perverse-looking manager. He's someone who always brings up some philosophical theory about how they all function as one big family, but ultimately he's more interested in certain curves of Sarah (particularly her perfect butt looks appetizing in her stretchy work uniform). Sarah shares an apartment with her friend Tracy (Amanda Fuller) and in her free time she hangs out with Tracy's friends who encourage and support her. Except Erin (Fabianne Therese) who can't resist to make arrogant and hurtful remarks all the time. Until one day Sarah needs to do an audition for Astreus Pictures and she is willing to do anything to achieve her goal.

In short you can summarize "Starry Eyes" as follows : a sort of "Rosemary's Baby" (but in another sinister way),with the terrifying consequences as in "Contracted" or "The Fly" and this mixed with the better slasher work from horror films in the 80's. The producers of this film have chosen a tranquil development of the story. Therefore it will take some time before it starts to get all gloomy and scary. But the big finale is worth it. The first part they've put enough energy into the introduction of the different characters. Sarah is a fragile and sometimes puny-looking character who's full of doubts. Doubts about her skills, her talent and her appearance. She looks like someone with an eating disorder who snatches hair from her head at stressful moments. According to her so she can concentrate herself again. She's an insecure person full of complexes. Even her smile is uncertain (and uncannily resembles that of Keira Knightley, which gives me even extra shivers). The friends of Tracy, however, is a hotchpotch of libertines who live from day to day (sleeping in a van in someone's garden) and give the impression as if they walk around constantly drunk or high and party all the time. A group of hedonists, but with envy and hypocrisy just around the corner.

"Starry Eyes" won't be appreciated by everyone. On the one hand, it 's sometimes quite bizarre to observe. The two people at the table during the audition at Astreus Pictures and the manager of Big Taters are a living proof of that. Bizarre characters who undoubtedly deserve a place in a mental institution. On the other hand the slow transformation that Sarah undergoes isn't exactly appetizing to look at. The reward that she gets by meeting certain requirements that were asked by the producer Astreus Pictures, is preceded by a period in which Sarah deteriorates both physical and psychological. She slowly turns into an unreal individual with psychopathic tendencies resulting in a bloody final piece. The way Alex Essoe gives shape to the character Sarah, is at times brilliant. The final transformation leaves an overwhelming impression and shows the natural beauty she possesses. Hopefully we'll see her again as a leading actress in another movie. Also Fabianne Therese as the fake girlfriend who's constantly trying to undermine Sarah's confidence and the eccentric Taters boss (Pat Healy) were enjoyable. And finally Mary Olsen and Marc Senter as the casting director and her assistant fitted perfect in it.

Of course, some will say that the final story is not too original, and it eventually became a typical horror with some gore clichéd images. But for me this was a successful and impressing film that after a patiently build up beginning, bursts out into a climax. Perhaps the macabre character of this film and the quirky way of elaboration made it into a memorable one. The only thing I was slightly disappointed about was the total lack of background information about the satanic (if you can call it that way) sect. It remains a bit mysterious. However, I am sure this film left that monstrosity called "Muck", effortlessly behind. A fascinating film!

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STARRY EYES is one of those 'mumblegore' films set in the soulless world of the modelling industry. Watching it, the only thing that interested me was how similar the story is in tone to the later NEON DEMON, although this one's more graphic and distasteful. The main character is a waitress who aspires to become a model, so when she visits a new agency, you can guess the kind of thing that happens.

Truth be told, I'm no big fan of this genre and STARRY EYES reminds me why. This is drawn-out and cheap, with unpleasant characters throughout and a lead you can hardly get behind due to her self-destructive drive. The horror tries very hard to shock but although unpleasant I didn't find it disturbing, merely juvenile in approach. In fact, the whole experience was rather depressing for me. If this is the face of modern horror, I'd rather do without it.