If you've only heard his albums you're missing most of the experience. Here's a chance to get a good idea of the joy that is a Hitchcock show.
Storefront Hitchcock
1998
Action / Documentary / Music
Storefront Hitchcock
1998
Action / Documentary / Music
Plot summary
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York storefront, Hitchcock plays with his back to the glass, while an audience looks on inside and passersby view the action through the window.
Uploaded by: FREEMAN
Director
Top cast
Tech specs
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Captures some of what a Robyn show is like
Dull concert film
English singer songwriter Robyn Hitchcock (no relation to Sir Alfred) became a cult performer in the 1980s through the American college radio circuit. He made during that time some good, though perhaps overrated, records. Their lyrics were odd and eccentric, the music somewhat reminiscent of the rock of the late 60s (Pink Floyd legendary founder Syd Barrett is a name that came up in many profiles about him). In 1998, he decided to make a concert film, directed by none other than Jonathan Demme, who has directed the Talking Heads' widely acclaimed Stop Making Sense. Unfortunately, this movie is really disappointing, a concert film as dull as it can possibly be. We have a single camera fixing at Robyn blurting out his songs with an acoustic guitar and without much interest in a stage set in a deserted shop (thus the title, I guess). There is no audience inside, but wee see the people on the street outside passing by, occasionally stopping and looking what is going on inside. The songs are punctuated by some unfunny and rambling comments by Robyn. Unless you are a committed Robyn fan, you can safely skip this.
A beautiful film
A beautiful film starring one of modern music's most endearing (and brilliant) cult artists. It's interesting to compare "Storefront Hitchcock", recorded late 1996, with his 1985 concert with backing band The Egyptians, captured on the video "Gotta Let This Hen Out!" - great, if weird rock, the subjects may be mordid, but the tone is optimistic. Zoom to 1996 and the boyish cult star has become a greyhaired, matured solo-artist, offering introspective, haunting tales of death and despair. There's an almost majestic sadness to songs like "Glass Hotel", "You and Oblivion". Highly recommended.