In the run-up to Christmas 2017 I started looking for an animated movie that I could send a family friend. Ordering this rarely-discussed Disney film,I had to quickly change plans,when I opened the case and found the Doris Day movie with the same title inside! Making a note of actually getting hold of the movie,I decided that this Easter I would call out the teacher's pet.

View on the film:

Appearing to be inspired by the Cartoon Network shows of the late 90's/early 2000's, director Timothy Björklund draws the most un-Disney designs,with the animation having a rough & ready quality of thickly black drawn lined characters,and the colours having a drained appearance. Playing as a feature film and as a final to the series, the screenplay by Bill Steinkellner & Cheri Steinkellner take Spot the Dog (who is nothing like the British carton dog of the same name) in an intriguingly grotesque direction,as Spot (voiced by a very good Nathan Lane) gets involved with a Dr. Frankenstein-style scientist (voiced in full Sideshow Bob-mode by Kelsey Grammer) to become a human,and then tries to get together with his owners mum. When the movie aims for Disney slickness in the flat songs and Spot's friendship with owner Leonard plays out of tune with what the pet has been taught.

"Teacher's Pet" is a full-length movie based on the television show of the same name. I have never seen the show, though after watching the movie, I wouldn't mind seeing more.

The story begins with a parody of Pinocchio and the scene where the Blue Fairy brings him to life. Apparently, Spot the dog longs to become a real boy as well and this dream illustrates his odd desire. But, considering the dog can talk AND has been attending school disguised as a boy, this isn't a very surprising dream. What IS surprising is that eventually Spot learns about a mad scientist who claims he can turn dogs into people...and Spot soon learns that wanting something and having it aren't exactly the same!

The art style of the film is a radical departure for Disney...and I appreciate how Gary Baseman's art style is realized in the movie. As for the story, it's rather simple but also quite enjoyable. Well made and well worth seeing.

I went to see this film on its opening weekend for three reasons. Firstly, I felt like seeing a movie that day. Secondly, I am a fan of the TV series "Teacher's Pet" which concerns the exploits of a dog named Spot who dresses up as a boy because he wants to go to school. And thirdly, I wanted to do my part to pad the opening weekend box office of a Disney traditional animation film.

This comes about a week after the news that the company was shutting down their Orlando animation department, where the bulk of traditional animation is done for Disney, because they wanted to focus on computer-animated films. It is worth noting that, without Pixar (whose contract with Disney expires after two more films) Disney has yet to make ONE CG movie.

But, this film is not only a hilarious and enchanting story to entertain children of all ages (19, since you asked),it is a love letter to the rich legacy of Disney animation. Full to bursting with affectionate jabs at such classics as "101 Dalmatians," "Snow White and the Seven Dwarfs," and "Pinocchio."

Indeed, the film opens with a parody of this last film, in which Spot finds himself wishing he could be a real boy, and the motif continues throughout. Simply pretending to be a boy isn't enough for him, he wants the real deal. He sees his chance with Ivan Krank (voiced over the top and beyond by `Frasier' star Kelsey Grammer) a `wacko' scientist who claims he can turn animals into humans. Spot travels to Florida and undergoes the procedure, only to become a full-grown MAN, not a boy! This is a momentous day for Spot (or `Scott' as he disconcertingly calls himself when he's in human garb) but not so for his nine-year-old master, Leonard Helperman, who just wants a dog to play with.

Needless to say, but I will anyway, Leonard and Spot become a boy and his dog again and everyone gets what they deserve, all the ingredients for a happy ending. And indeed you would have to look far and wide for a family film more bright and joyful. The songs are beautifully written with clever lyrics and, again in the Disney tradition, exist to move the story along, as it should be for all musical comedies.

I would, however, use discretion in taking my family to this film. Though it's PG rated and definitely suitable for children, those with weaker constitutions (or more protective parents.I won't name names, you know who you are) might not be ready to see the results of Spot's transformation. It gets a little dark by the third act, but certainly no darker than any other animated film of late. And, ideally, there would be more in Act One to help those unfamiliar with the dynamic of the TV series, though you'll definitely enjoy it anyway.

The real strength of this film is in the voice cast, including series regulars Nathan Lane (as the super-intelligent dog himself),Jerry Stiller (as the bird),David Ogden Stiers (as the cat) and Shaun Fleming and Debra Jo Rup (as Leonard and his mother, who also happens to be his teacher. Unfortunate, no?) and new comedic talents such as Paul Ruebens, Megan Mullay and `Seinfeld's' Estelle Harris.

In conclusion, though it's nowhere near as good as the best of Disney, it's still better than anything Dreamworks has ever done.except maybe for `Chicken Run,' but come on! That's stiff competition that is.