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The Blood Drinkers

1964 [TAGALOG]

Action / Horror

Plot summary


Uploaded by: FREEMAN

Top cast

720p.BLU 1080p.BLU
750.23 MB
1280*714
English 2.0
NR
23.976 fps
1 hr 28 min
P/S ...
1.34 GB
1920*1072
English 2.0
NR
23.976 fps
1 hr 28 min
P/S 1 / 1

Movie Reviews

Reviewed by MartinHafer3 / 10

Well, it could have been worse! Not that that is a glowing endorsement!

"Kulay Dugo Ang Gabi", also known as "The Blood Drinkers" and "Blood is the Color of Night", is a Filipino horror film. And considering how incredibly cheap and awful all the other horror films have been that I've seen from this country, my hopes were not very high!! "Blood is the Color of Night" turned out to be an incompetent film--though significantly better than any of the previous Filipino horror films I saw-such as "Beast of the Yellow Night", "Brides of Blood", "Mad Doctor of Blood Island" and "Beast of Blood". They were so horrible that "Blood is the Color of Night" appears like Shakespeare in comparison!!

The film sometimes actually manages to set an appropriately frightening mood with the fog and the vampire wearing cool wrap-around sunglasses. However, most of the time it just looks like it was made by Ed Wood's brother--with screaming bats on strings, narration to explain WHAT is happening, weird and inexplicably tinted scenes (the pink ones were especially hard on the eyes though they also came in many other colors as well as full color),the bald vampire with a whip, Maura's bad hairdo and some really bad acting and writing.

The plot involves the head vampire (the bald guy) saying that he needs to do a heart transplant on his bride. Now, if she is a vampire or going to become one, I can't see any reason that he should be doing surgery (after all, isn't she supposed to be dead?)! I also wasn't sure why he had to get her sister's heart. And, I have no idea why he repeatedly did NOT take this heart when he had many good opportunities. Of course, the same could be said about the handsome hero. When baldy beat him in a kung fu fight, he could have and should have killed the hero...but he just let him go!! Any vampire this stupid deserves to lose by the end of the film! But, weirdly, the movie has a very, very, very strange and inexplicable ending--one you just have to see to believe (such as the vampire using a gun and the hero using a flare gun)! Overall, a silly but watchable film. Not at all good but considering the source, it could have been a lot worse!!

By the way, can anyone tell me why Mr. Vampire called his henchman 'Gordo' (Spanish for 'Fatso')? The guy was a skinny hunchback! And what's with the name calling? Is this any way to treat your devoted followers? He should remember that it IS hard to get good help.

Reviewed by Leofwine_draca4 / 10

Some fun ingredients in an otherwise underwhelming Filipino potboiler

To begin with, let me set this straight: none of the Filipino-made horror films I've seen from the '60s and '70s have been very good. They were local produce through and through, designed to emulate classic pictures coming across from the west on a fraction of the budget. Crudely acted and slowly paced, films such as THE MAD DOCTOR OF BLOOD ISLAND are often laughable by today's standards, employing cheesy scares and an almost total disregard for the likes of pace, plot and characterisation. Yet somehow, in some way, these films have a 'feel' all of their own, something that distinguishes them from western fare or indeed other Asian horror films of the era. Maybe it's the sweaty jungle backdrops or the crude way in which attempts are made to jolt the viewer through marauding beast-men and jarring music on the soundtrack. Once seen, never forgotten is a good way to describe their cumulative effect.

THE BLOOD DRINKERS is no different. I rate films according to how much entertainment they offer me, and this one doesn't offer a great deal. The acting is okay at best, and the pace is almost non-existent, with great long stretches of nothing much happening. The vampire plot is a predictable spin on Dracula, with an anything-goes mentality that incorporates a beautiful vampire henchwoman, a crazed hunchback and a sadistic little dwarf. Apart from the old-meets-new climax, in which the vampires are attacked by a horde of torch-wielding villagers and the gun-toting local police at the same time, there's hardly any action here, other than a protracted fight sequence with the kind of exaggerated posturing you'd find in an early STAR TREK episode.

Even though this is a bad film, there's stuff going for it, mainly in the film's look. Thanks to a low budget, only a handful of sequences are in colour. Director Gerardo De Leon decided to use this to his advantage by tinting the black and white shots with various red or blue filters, each corresponding with the on-screen action. Red signifies the approach of evil, while blue charts the progress of the good characters. It's a clever touch, and one I found greatly enhanced the film no end. Elsewhere, the influences vary from THE CURSE OF FRANKENSTEIN-style paraphernalia in the vampire's lair to the use of spotlights shining on the eyes just like in Lugosi's Dracula, Ronald Remy, who reminded me of Billy Zane, is an nonthreatening vampire, who reminded me a lot of Peter Lorre in MAD LOVE; perhaps that was the intention.

For fans of so-bad-it's-good cinema, there's a scene of a man beating up a dwarf which is fairly amusing, as well as some truly pathetic rubber bats which make the ones in THE SCARS OF Dracula look like the latest animatronic models. Otherwise, THE BLOOD DRINKERS is a film just too dated and too unappealing to be enjoyed by the modern viewer.

Reviewed by BandSAboutMovies6 / 10

I love this movie!

Gerry de Leon is considered the godfather of Filipino horror and was also the most awarded film director in the history of the Filipino Academy of Movie Arts and Sciences' FAMAS Awards. Pretty good for a guy who was arrested after World War II, charged with treason for making anti-American propaganda films for the occupying Japanese forces and Japanese director Abe Yutaka. He was pardoned when it came out that at the same time he was secretly helping the Filipino resistance.

Throughout the 1960's, he was paid in American money to make some horror films along with Eddie Romero. Terror Is a Man, Curse of the Vampires (AKA Whisper to the Wind),Brides of Blood and Mad Doctor of Blood Island. He was also the director of the Roger Corman produced Women In Cages, which is a movie that Quentin Tarantino brings up quite often.

Otherwise known as Blood is the Color of Night, this movie is all about Dr. Marco, who looks like a Filipino Telly Savalas. He's a vampire who has lost his love and decides to bring her back with the heart of her twin sister (they're both played by Amelia Fuentes). He has an entire group of maniacs to help him, like a somersaulting dwarf, a hunchback and a sexy lady named Tania. And oh yeah - a whole bunch of people he has brought back from the grave.

This is probably the most Catholic horror movie I've ever seen, as it stops dead to explain how the Church is the only way that this horror can be stopped.

Originally entitled Kulay Dugo Ang Gabi, this movie played the U.S. twice, first as The Blood Drinkers on a double bill with The Black Cat before it came back again as The Vampire People along with Beast of Blood.

The reason why I think everyone should watch this is that it starts out sometimes in color - which at the time was really expensive - and then goes to neon-tinted black and white. Throw in some fog and scenes where it goes from blue to red to color and you have the kind of movie that I get so excited about that I bounce all over our movie room. Also, the whole thing is dubbed, so it really feels like it didn't come from another country, but an entirely different plane of existence so far beyond our own.

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