Personal courage becomes a scarce commodity when the times get tough. And there weren't times much tougher than 1930's and the rise of Nazism. Europe stood paralyzed in an unlikely marriage of fear and denial. Veteran director Jan Troell tells a story of a public figure that bravely attacked Nazis in his newspaper column. Torgny Segerstedt was revered and much suspected. His principals made the others look corrupt and petty. And they were, but that is beside the point, because nobody has more concern about appearances than the immoral and tainted. The interesting quirk of this brilliant movie is that Torgny himself was a deeply flawed human being, in turns neglectful and cruel to his wife and kids. Somehow this man with such strong sense of morals, cared about the humanity in general, but alas, not for individuals. Well, that might be understandable. The messiness of humanity would try the patience off all saints combined. Our times prove that beyond any doubt.

Two kinds of evil are analyzed in Jan Troell's The Last Sentence.

The first depicts Swedish journalist Torgny Segerstedt's (Jesper Christensen) crusade against Hitler. As editor of an economic daily he campaigned against Hitler and for Sweden's going to war against Nazi Germany. Segerstedt contends that acquiescence to evil only nourishes it. We are responsible for what we allow, not just what we do. Despite the Swedish king's probably correct judgement that Germany and Russia would destroy the Swedish army in a fortnight, Segerstedt sticks to his campaign. His move from Scandinavian concern to the wider European is evidenced when his new bulldog Winston succeeds the poisoned Soren (a Kierke-guard dog?). As we know, Hitler's early sweep was facilitated by the surrender and compromises of state heads who lacked Segerstedt's courage and clarity. In this respect the film reflects upon the current debate over how to deal with the rise of jihadist-based anti- Semitism, in which the Scandinavian countries are very much in the vanguard. How "neutral" was Sweden in WW II and what was its effect? What cost neutrality or acquiescence now?

The second moves from the political evil which Segerstedt addresses to the personal evil which he embodies. This fiery journalist is a surprisingly unimpressive man, an academic still obsessed with having failed his thesis (on the origin of polytheism),who has been essentially made by the women to whose spectres he turns after their deaths -- his mother, his wife, his wealthy Jewish intellectual mistress. Despite his open adultery he seems so insecure in his manhood that he keeps two huge mastiffs and the massive bulldog. www.yacowar.blogspot.com

Saw it at Busan International Film Festival(BIFF),and it was the most disappointing film of the weekend.

In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?

First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.

The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.

Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.

4/10