Though Norman Mailer wrote many other works like David O. Selznick with Gone With The Wind, Mailer never wrote anything as good as The Naked And The Dead. It must have been a source of some frustration to him in trying to top this literary masterpiece.

Coming to the screen The Naked And The Dead's impact was neutered somewhat with changes, most importantly the death of a main character was eliminated and that person allowed to survive. Still what you get here is a really rancid version of a military campaign in the South Pacific Theater, the kind that Hollywood wasn't showing up to that time.

There are three main characters. First Cliff Robertson who comes from wealth and privilege and clashes with his martinet of a commanding officer. For that breach of military etiquette, Robertson is assigned to lead a patrol behind enemy lines to gather valuable intelligence.

The commander he insulted is General Raymond Massey who likes being the martinet, but in the end gets showed up rather beautifully by an eager subordinate who took some initiative during a combat situation.

Thirdly there is Sergeant Aldo Ray who was probably no prize, but whose character was totally twisted by the unfaithfulness of his wife Barbara Nichols. Nichols is just great in a flashback episode as a woman who might just as well have had a sandwich board sign labeled 'floozy' all over her. In some ways her small part is the most memorable in this war film. He's been leading his squad without any officers over him and would like to keep it that way. But he knows his job.

Over 59 years later The Naked And The Dead while not totally true to Mailer's words and plot, still hasn't aged one single bit. I could see a remake of this one in the future.

It's 1943. A group of men set off for a Pacific island in a campaign headed by General Cummings (Raymond Massey). He's dictatorial and wants his men to fear him more than the enemy. His aide Lt Hearn (Cliff Robertson) is an idealist living under the shadow of his legendary father. Cummings sends Sgt Croft (Aldo Ray) and his men into the jungle on a seemingly pointless mission to test a mountain pass that should be easily defended by the Japanese. Croft is a hard-nosed leader who kills prisoners and has his men dig gold from the dead's teeth. After a dispute with Cummings, Hearn is also sent on the mission. Cummings goes off to headquarters to argue for more troops to stage a big attack. However the small pointless mission may actually hold the key to the island.

This is based on Norman Mailer's novel which he infuses with some of his war experiences. First off, I don't like the start in Honolulu and the flashbacks. They take the audience out of the war experience. It feels melodramatic and old school like a bad 50s war movie. At its best, the movie has a feel of Malick's film 'The Thin Red Line'. The wide field of grass and shots that come out of nowhere give the movie a feeling of foreboding. The cast of characters get scattered in the mission. There is a message being delivered but it's a bit muddled. The movie needs to narrow the focus.

From Norman Mailer's celebrated book about kill-happy Army sergeant in the Pacific, 1943. In the lead, handsome Aldo Ray gets a chance to show his swagger portraying a man doing battle with the enemy as well as with himself and his own men; otherwise, this glum effort is War-is-Hell routine. Bernard Herrmann's score sounds suspiciously like the one he turned in for "Taxi Driver" in 1976. Hmmm....