I am an avowed fan of horror films but I must confess that films with haunted houses are so common that it gradually became uninteresting. Still, there's nothing like giving new material a chance. That's what I did here. And I was reasonably satisfied: its a film that knows how to build atmosphere and tension and a pleasant mystery, even if its not capable of frightening.

Everything takes place in the swamps of the suburbs of the mysterious old New Orleans. In an old colonial house lives an elderly couple who hires Caroline, a nurse and elderly caregiver who goes to that house at the hand of the family notary in order to care for Ben, the family patriarch, very weakened by a stroke that left him disabled. But it doesn't take long for the young woman to discover that the house hides many ancient secrets and some of these secrets can really be a threat.

As a pure horror film its weak... but it has a satisfactory cast and a tense atmosphere that, coupled with a decent script, with the inclusion of witchcraft and vodoo themes (it's New Orleans, how could we not think in this?) helps the plot and serves as glue to everything we have here. I felt that the character Caroline is not developed properly and is poorly presented to the public, since we don't know much about her and that makes her a figure more than a character that we can feel and that touches us. Even so, it is a functional film that delivers more or less what it promises, despite not being able to scare or go beyond tension and some occasional chills.

The cast has several names of some weight. Peter Sarsgaard is the most resonant name, but he is guarded by a character who doesn't appear that much but guarantees him a minimum of presence. Kate Hudson is elegant and beautiful, and knows how to play her role, but does not seem to feel her character as she should, in some scenes that seem less well worked or well Gena Rowlands, in turn, is extraordinary and makes a character truly colossal.

Technically, I would like to highlight the quality of cinematography and the work of filming and editing, which gave the film a very important visual beauty to build the environment that the film requires. The scenes and landscapes of the swamps and the city are excellent and were used in the best way. The effects are minimal, but they fulfill their role, the sets and costumes, as well as the Swedish landscapes (with or without snow) increase the visual beauty of the whole set. The soundtrack does its job well.

This chiller in centred on hospice assistant Caroline Ellis; she has become somewhat disenchanted with the place she works to replies to an advert for a live-in carer at an old plantation house deep in the bayous. When she gets there she meets Violet Devereaux and her husband Benjamin; he has suffered a stroke and can't care for himself… it will be Caroline's job to look after him for his remaining days. Shortly after arriving she is given a skeleton key that opens every door in the house. She finds a door in the attic that it won't open; Mrs Devereaux explains that the room hasn't been entered since she and her husband moved in several decades ago. Caroline manages to get into the room and discovers various spells, potions and other hoodoo paraphernalia. It turns out the room originally belonged to Mama Cecile and Papa Justify; two servants who had been lynched ninety years before. She investigates further and starts to believe that Mrs Devereaux is responsible for what happened to her husband and that she too is in real danger.

If you want gore, a high body count and plenty of jump-scares this won't be the film for you; however if you want a decent atmospheric chiller that is creepy rather than scary then this film may be worth checking out. The setting adds to the films atmosphere; the sort of Deep South location where one can easily believe unpleasant things happened in the bad old days. Kate Hudson does a solid enough job as Caroline and Gena Rowlands manages to be suitably creepy while being a charming southern lady as Violet. John Hurt is impressive as Benjamin; a character who barely says a word but conveys a lot of emotion with every look. The story progresses at a decent pace and there are a few twists the ending isn't a total surprise though… certainly anybody who has seen 'The Wicker Man' is likely to figure out that being the protagonist doesn't guarantee Caroline's ultimate safety. Overall though I thought this was an effective and atmospheric chiller.

The insipid Kate Hudson (Goldie Hawn's daughter) stars in this half-baked slice of Southern Gothic as a nurse who winds up at a creepy and run-down old plantation to care for a seriously disabled man. Her job goes well at first, but she soon begins to ask questions about her controlling employer (the man's wife) as well as the secrets hidden in the locked attic.

And so we have THE SKELETON KEY, which effectively manages some atmospheric moments but spoils them with barely-decent writing in which everything is forced to play out to its predictable climax. In that respect it's a little like WHAT LIES BENEATH, an equally play-it-safe thriller that seems to have been aimed at bored housewives more than anything else.

The inclusion in the plot of themes of voodoo and immortality is interesting, but the execution is only so-so. It doesn't help that the cast is weak; Hudson is boring, Peter Sarsgaard is weak, and only Gena Rowlands seems to be channelling the Bette Davis spirit of old. John Hurt is the best actor here, but he's pretty much wasted in a role where he's given very little to do. THE SKELETON KEY deserves commendation for trying something different, but in the end there's not much here.