Ben (Robert De Niro) is a top Hollywood producer during a down-period in his career and personal life. He is in separation with his second wife, who in turn is having sex with his good friend. Businesswise he latest movie is a possible turd (artistic, but too depressing) and the studio is forcing him to cut the dramatic negative ending. Additionally his new movie has hit an unexpected rock, when Bruce Willis shows up with a beard fit for a king. And he does not want to shave it off...
This self-flagellation of a movie is a producer's nightmare. Its the theme of the movie as well as the movie itself. It's essentially not funny as a comedy, uninteresting as a drama about Hollywood and swaggers slowly to its conclusion. If this is anything to go by - Hollywood may be devoid of morality, but it is also an extremely boring place.
A sub-par movie from Barry Levinson, which lacks any heart. A movie only for Hollywood producers, who could possibly relate to the story. Well.. that's not a movie that has a big target audience...
What Just Happened
2008
Action / Comedy / Drama
What Just Happened
2008
Action / Comedy / Drama
Keywords: divorcemovie businessmidlife crisis
Plot summary
A week in the life of powerful Hollywood producer Ben as he juggles negotiations with a studio head so that his newest picture can open at Cannes in two weeks, with a high-strung director who must make edits to the film, with an actor and his agent because the star has arrived on the set of a new picture with a full beard and his most recent ex-wife, Kelly, whom he discovers might have a lover. He also notices that his 17-year-old daughter from another marriage has been crying. What's up? Can Ben keep it all together, get the green light from the studio to go to Cannes, move his new picture past the beard crisis, and maybe return to Kelly's good graces?
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A producer's nightmare
on the contrary to the other commenter, this is very funny, and a slight comeback for Levinson
Director Barry Levinson hasn't had much luck lately- after Bandits, which was a good though not anything very noteworthy comedy caper, he had two colossal duds in a row- Envy and Man of the Year- which, despite an otherwise impressive host of films (i.e. Diner, Rainman, Sleepers, even Toys) could have threatened to throw him off track ala Rob Reiner. But in a way What Just Happened was relatable for Levinson, despite it being the stories of Art Linson, semi-famous producer who's had hits and misses throughout his career, and at the same time gave him some ample material for some sardonic, spot-on satire of the industry. It's not the Player, don't get me wrong, but it gives its winks and nods to the egomania, the preciousness of directors and stars, and how personal lives get caught up in the mix without getting too smug with us common moviegoers.
Probably the funniest, as sort of a near running gag, is the latest film that producer Ben (De Niro) is being test-screened for audiences; a rough cut of "Fiercly" starring Sean Penn (who, as with Bruce Willis, plays "Himself" in the film) disturbs the audience because, on top of a bleak end for its hero, a dog is killed on screen (this, for all the wrong reasons, is hysterical funny, if only for the deadpan reaction from DeNiro to the insanely negative response cards). The director, however, a British hipster (brilliantly played by Michael Wincott),doesn't take it lightly that he doesn't have final cut. This brings around what seems like a moment of levity midway... and then back to the start when it comes time for Cannes. On top of this is Willis's 'plot-line' involving a beard he won't shave off. It's almost like a slight reprisal of his part in Four Rooms, only put to a much bigger, aggrandizing maximum. Both of these, much like seeing certain characters in a Christopher Guest movie, elicit laughs anytime they're on screen.
And the rest of the movie is... still very good. Aside from some scenes where Levinson decides to rush things along via the speedy transitions, he provides a style that suits the feel of the material, of Ben trying to balance his personal struggles (an ex-wife he can't totally let go of, and his rebellious teen daughter with a secret) with the eternal BS of getting work done in an industry concerned, a lot more often than not, with the final dollar over artistic integrity. It's not quite reality TV, but it has that unpredictable, on-the-fly hand-held feeling all the same, which is a method much more effective used here than in Man of the Year. And De Niro is also surprisingly good (maybe not a surprise to some, but considering some of his hit-or-miss turns in recent fare),as he doesn't lay too low-key in the part. One can probably see De Niro having studied producers- not just Linson himself but others- for long stretches to get the right steps for each deliberate step in ego-maniacal Hollywood.
So sit back, relax, and enjoy some near classic self-conscious satire on an industry that deserves anything those in it can dish back out (if that makes sense).
satire not funny enough
Ben (Robert De Niro) is a Hollywood producer struggling to stay on top. His film Fiercely has a horrendous test screening with an ending of the villains shooting the dog in the head. Director Jeremy Brunell (Michael Wincott) insists on keeping it but studio exec Lou Tarnow (Catherine Keener) forces him to cut it or she pulls it from Cannes. Ben's latest movie is threatened with a shutdown unless he can get Bruce Willis to shave his beard. He has two ex-wives. He's jealous of the recent ex-wife Kelly (Robin Wright) who may have a new lover. Zoe (Kristen Stewart) is the daughter from his first marriage.
Robert De Niro is being too serious. There are times when the story has good satire. It either doesn't take it far enough or De Niro gives it too much gravitas. It becomes a series of tired ugly unfunny situations. This is probably funnier on the page than on the screen.