This is the kind of indie film we don't see much of anymore. Great story, stunning visuals, and completely out there (it's right up there with the classics, Rocky Horror Picture Show, Hedwig and the Angry Inch, and Velvet Goldmine). The acting is great, the characters are alive on screen, all of them funny, anguished, paranoid, and lovable. The costumes, the locations, all of the visuals are eye popping and bizarre as we are taken through the worlds and minds of these unique characters. The story alone sets the tone for this creative and wacky comedy, 6 self proclaimed crazies all fighting for the last spot in an elite insane asylum, you can be sure you're in for a wild ride!

So many movies are the same and this one isn't, mixing wry humor, visual painting that combines an unpredictable story (refreshing, that) with some bizarre circumstances. See it, experience it, this is the stuff that scifi fantasy fans just wait and wait for, something new and unusual.

Adults need fantasy with wit and the bigger than life characters in the film are fraught with humor and totally twisted! Notable performances form the principles, hilarious and just so wrong, I bet Carlos Castaneda & Lewis Carroll would love this film.

I look forward to more of Ajami's directing!

One flew over the cuckoo's nest a bit too many in this wacko comedy with some absurdist driven plot evolving around five mentally unstable people attempting to compete for spot at a mental asylum. Within its confines the mysterious Dr Beard (visualised for the most part as a beard stuck onto a speaker-phone) attempts to grade the applicants and choose amongst them the most worthy candidate. Amongst them (as per the movie introduction to characters): Dr Raby (Daniel Izirarry) the virgin nymphomaniac, Maud (Pepper Binkley) the trophy mouse-wife, Paul (Lee Wilkof) the evangelical nihilist, Miranda (Camille O'Sullivan) the introverted exhibitionist, Alan (Bill Dawes) the gender bender refugee and Alice (Stella Maeve) the cybernetic lolita. With all out contenders ready for action, nurse Milly (Judith Hawking) initiates the game.

"Asylum Seekers" treads a very thin line with its over-exuberant surrealist absurdity, which often seems to have less to do with Luis Bunuel and more with "Airplane" and similar spoof comedies. Despite obvious intellectual inclinations and though-out dialogue the end result proves that this line has been largely obliterated by a mix of bad acting and ineffectual idiocy. Never truly funny it therefore fails as an overall concept, even if some glee can be taken from the dreamlike qualities, which transgress us into one of the wackiest on-screen adventures ever. Some viewers will be profoundly head-scratching way before the end credits, others may find it as exhilarating as an LSD trip, all in all it doesn't function well as a movie per se, instead more as a side event of edgy tidbits of craziness and surrealism.