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Masquerade

2012 [KOREAN]

Action / Drama / History

Plot summary


Uploaded by: FREEMAN

Top cast

Byung-hun Lee Photo
Byung-hun Lee as Gwang-hae / Ha-seon
El Lee Photo
El Lee as Lady Ahn
Bae-soo Jeon Photo
Bae-soo Jeon as Hyeong-pan - Minister of Justice
Hyo-Joo Han Photo
Hyo-Joo Han as The Queen
720p.BLU 1080p.BLU
1.18 GB
1280*544
Korean 2.0
NR
23.976 fps
2 hr 11 min
P/S ...
2.43 GB
1920*816
Korean 5.1
NR
23.976 fps
2 hr 11 min
P/S 0 / 11

Movie Reviews

Reviewed by face-819-93372610 / 10

An old tale told better than anytime before. You will agree.

When you sit with tear stains on your glasses in the dark, the last two hours of your life were definitely not wasted. There are moments so laugh out loud funny, and moments so contrastingly sad, that the result was completely fulfilling.This is not a new story, and not the first time this story has been told by a long long shot. However, this very well may be the best that this story has ever been told. Every culture has this story in one form, or another, so I would not doubt if this sort of thing has gone on as long as there have been humans in power, and afraid. The acting in this movie is top notch, the souls of each character are brought to life in front of you with no doubt of their sincerity. The story is well written, and plotted out, and has been filmed so simply, and beautifully that you can not help but be pulled right in. There is no lag in the story even at more than 2 hours, there is only continued development, and growth. I Enjoyed watching, and feeling this movie, and I recommend it even to folks who shy away from subtitles. I really think that this movie has what it takes, and you will not be sorry if you give it a try.

Reviewed by phd_travel7 / 10

Uncomplicated watchable costume drama

Unlike some heavy going costume dramas this is easy to follow with it's simple straight forward plot. a jester who looks like the king fills in for him and institutes some changes. If you can accept the premise that he can look and sound so much alike then it's an enjoyable watch. Lee Byung Hun is a commanding actor. Liked the ending not being depressing. The setting is nice - looks like lost of other Kdrama palace sets. Han Jyo Hoo is pretty as the queen.

Reviewed by DICK STEEL10 / 10

A Nutshell Review: Masquerade

A critical and commercial success in South Korea, and that's really no surprise. For a period drama, Masquerade contains plenty in its formula that made it so, from a premise that piqued curiosity, an A-list cast, and really solid production values with attention paid to detail, recreating the Joseon period under the reign of the 15th emperor Gwanghae, giving its interpretation to a missing 15 days in the documented Annals of the Joseon Dynasty journals, which writer Hwang Jo-yoon took the liberty to introduce a tale similar to The King and the Pauper, played out with full palace intrigue.

King Gwanghae (Lee Byung-hun),like most kings when being unpopular, fears for his life, and instructs his Chief Secretary Heo Gyun (Ryoo Seung-ryong) to find a doppelganger. After a search, a bawdy comedian Ha-sun (also played by Lee) was found, and brought to the palace to be groomed as a stand-in, with this secret only made known to Heo Gyun, and Chief Eunuch (Jang Gwang) only, given that there are enemies of the state even in the courts, and nobody can be trusted with the secret except for the inner circle. Sure enough King Gwanghae got poisoned, and in his absence, Ha-sun has got to step up into the regal role, opening doors to light comedy, and the raising of eyebrows amongst those intent on committing treason as they slow sense some characteristics in their king that didn't seem quite right.

Director Choo Chang-min had a solid hand at the helm of this production, never scrimping on the opulence of how courts and palaces function, with its legion of servants and court officials, while drawing out excellent performances from the cast at his disposal. There's enough in the film to make anyone sit up and take note of the intricacies of political maneuvering, especially when there are vultures swirling around and ever ready to swoop in to take advantage of any perceived weakness. The story here ranks up there with just about any palace drama anywhere in the world, with loose ends opened during the narrative all neatly tied up, with strong emotions to boot.

Lee Byung-hyun is possibly in his finest role(s) yet playing the two different characters of one having the highest office in the land, while the other a poor nobody plucked from obscurity to assume a role he would have never dreamed of. As King Gwanghae, he plays him ruthless and not very well liked, but as Ha-sun, Lee shows off his acting chops in varying his styles as the need and narrative called for it, being goofy when required, or with all regal pomp when in the open with many eyes and ears. He straddles the roles quite effortlessly, which is a good dramatic break for the actor, who is probably better known for his dumbed down Hollywood exploits that prefer his rock solid abs than to his acting ability, which will convince naysayers that this man can truly act.

The supporting cast also put in top notch performances to play off Lee, especially when the narrative fleshes them out in three dimensions rather than to pass them off as caricatures. Top of the list goes to Heo Gyun as the main executer of the plot, installing Ha-sun as the King while waiting for his real master to awaken from poisoned slumber, and teaching his puppet to wise up, only to be surprised by the man's humanity, which set out to touch the lives of many others, and with it came new found respect. Jang Gwang as the Chief Eunuch was excellent too in being one of two in the scheme of things, and serves as Ha-sun's confidante, and observer during non-official periods.

And others in the story include Captain Do (Kim In-kwon),as the King's royal bodyguard who begins to suspect something's amiss, the young food taster Sa-wol (Shim Eun-kyung) who brings him his meals, and the Queen Consort Joong Jun (Han Hyo-joo) herself, all who slowly benefit from what they thought was a profound change in heart of a man whom they never would have thought to change for the better with new found humanity and grace on display, and each story arc contributing to the breadth of the story, keeping it moving at fast pace, as well as keeping audiences on their feet with each dangerously close shaves of potential exposure of plot and identity.

It's been some time since I had last enjoyed a Korean period film, so this came as a pleasant surprise. It's that kind of production that's big in scale and ambition, and delivered on all counts. Masquerade deserves all the critical and commercial success gone its way and more, and it qualifies itself into my shortlist as one of the best this year has to offer. A definite recommend!

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