The cinematography was truly lovely, it's natural colors blended with the story telling so thoroughly, I sat in the dark fascinated by this syncopation. The film has a huge cast, and filming in the African sun, it had to be a difficult.

I loved the talent. Every character was real.

I loved the story --the collision of two cultures at the beginning.

Most of all I love the character of Mister Johnson as portrayed by Maynard Eziashi. His behavior seemed typical of the era. And African villagers seemed so gentle and accepting of foreign intrusion. Maybe it was that way in the beginning.

Joyce Cary wrote a very sweet, sort of tragic story. I wish all films contained this truth, warmth and humanity.

Mr Beresford has taken what I consider to be his usual film making approach to this poorly adapted screenplay from an excellent and workable novel. Mr Johnson is NOT a comedy, neither does it rely upon comedic aspects in its story line. Mr Johnson is a drama, sadly robbed of its drivers.

The great problem with this film is the miscasting of two leading men, and the inability of the director to accurately shape the story, and to direct the individual performances. the character of Mr Johnson, is lacking in complexity and dimension, and Mr Brosnan's work is rather like a mimicry of every British colonial character ever sent up by any music hall comic or TV sketch comedy ever produced.

The basic story is heartrendingly powerful, and the false world of Mr Johnson, fueled by his childlike desire to fulfill its requirements, should be the powerhouse of the whole undercurrent of the madhouse of British Imperialism, and the blind faith of those who attempted to live up to the impossible standards of its, so called, civilization.

The novel hits the gong, but this screenplay, the miscasting, the absence of storytelling and of basic theatrical direction, robs Mr Johnson of its magic.

"Mister Johnson" is, first and foremost, a comedy. I must say this, because it's far too light-headed to be a serious dramatic film. Although, whatever the case, I can't say it's the most compelling story. The title character (played by Maynard Eziashi) isn't as sympathetic as the script might intend him to be. He steals, he cheats, he tries his best to be an Englishman, all to much self-detriment.

From a artistic standpoint, as well, this is not an especially engaging tale. Bruce Beresford has displayed a lot of subtlety in other films, but there's something about "Mister Johnson" that falls quite flat for me. I wanted to like it, because I nearly always enjoy Beresford's films. In the end, it's the performances by Eziashi and Brosnan that make this worth watching. They create characters you can get into, even though lacking a script that deserves it.